J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Portrait of Baroness James de Rothschild | Portrait of Luis-Franqois Bertin (mk04) | Portrait of Princess Pauline-Eleonore de Broglie (mk04) | Raphael and the Bakers Daughter | Napoleon I on his Imperial Throne |
Related Artists:
Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
Gabriel Bella
Italian, 1730-1799
BEUCKELAER, Joachim
Flemish Northern Renaissance Painter, ca.1534-1574 A native of Antwerp, he studied under his uncle, Pieter Aertsen. Many of his paintings contain scenes of kitchen and markets, with religious allusions in the background. His Four Elements series (as of 2004[update], in the National Gallery, London) exemplifies this theme on a large scale. Water, for example, shows a fish market selling twelve kinds of fish, representing the twelve disciples of Jesus. Through an archway in the background we can see Jesus walking on the Sea of Galilee after his resurrection, making fish appear miraculously in empty nets. Beuckelaer's work was influential on painters in Northern Italy, particularly Vincenzo Campi.